Do you have supplies left over from your scrapbooking days now that you've moved on to sketching? Wondering what to do with them?

Tomorrow, down at Keeton's in Bradenton, I'll be doing a live class and we're going to be working on a mixed-media page using scrapbooking paper as the main design with watercolor, stencils and colored markers to make a fun and festive page.

Come and join me if you can! More info here. Hope to see you there!

After coming home from a trip, I always have grand plans for all the pages I'm going to do based on the great photos and wonderful memories I have. Sound familiar?

And then life, work and daily living gets in the way. Sound even more familiar?

Those pages still exist, but they're only in my imagination and they fade with each passing day.

Each trip, I do a little better by getting more done in my sketchbook while on location. However, there will always be more pages to be done when I return. Both our Acadia trip from last fall and the Winter Interrupted workshop from this winter await the finishing touches.

Luckily for me, I had a little help from one of the gals that helped me Interrupt Winter, Claire McFeely. Actually, it was more than a little help—she's been a powerhouse of inspiration because she recently finished all 48 pages of her trip and she's been sharing them on a private trip blog we have.

The other "help" I have is that my brand new Apple computer, the Big Mac Daddy, is back at the big house for yet more diagnostics and repairs. I am so over this situation and I knew I need some serious distracting from the situation, so I pulled out all my saved materials and photos and went to work. BTW, distraction is a marvelous tool to get going on a stalled project!

Final Day and a Page of Thanks Stillman & Birn Zeta Sketchbook Watercolor and Ink

On the NOLA trip, we lost a stool on the very last night. On the last evening of Winter Interrupted, one of the ladies' hats decided to separate from its brim in a rather dramatic fashion. After a wonderful walk on the beach, we had dinner at a little grill where we sat outside to enjoy the wonderful breeze and listened to the waves crashing into shore.

That single-serving bottle of bubbly Moscato wine was ridiculously expensive, but just too cute to pass up and the wine was good. The ink on this page reads as black but is actually a grayed blue. It worked well with the restaurant's logo colors.

Happy reminders of a wonderful trip Stillman & Birn Watercolor and Ink

During our adventure to John's Pass, the bag above was spotted. Since it had eight flip-flops on it and there were eight "Beach Sisters," the Sisters decided to gift the bag to me as a happy reminder of the trip and to show their appreciation. After they gave it to me, I had each of them sign their names to a flip-flop…I still need one more signature that I'm determined to get one of these days, soon!

Commemorating A Wild and Wacky Mother's Day

Ever go to Gatorland on Mother's Day?

Ever been to Gatorland...at all?!

Well, we have! We went this past Sunday with family and friends and it would not do but some of them just had to go zip-lining over the gator ponds!

The Zippers

And they all had a blast. So much so, that I've already heard discussion about a return trip though we'll probably wait for cooler temperatures—it was HOT! (And yes, I know this is Florida, the land of there perpetual summer!).

The park had plenty of alligators and crocodiles along with lots of other critters—panthers, bobcats, tortoise, parrots, budgies, snakes, spiders, herons, egrets, flamingos, ducks, wood storks, anhingas, a rookery,  and without a doubt, the most buzzards I have ever seen at one time! There were hundreds of them!

It was interesting to watch the shows. Most of them were quite comical and at the same time, they were sliding in a lot of education about the critters, their habitats, what kind of environment and food they needed as well as a good bit of common sense about how to avoid being lunch.

My sketch above was just a fun parody on the goofiness of the day! The folks that ran the zip line were great sports and did everything they could to scare the pants off all the "zippers." (At no point was anyone in any danger.)

My goofball having a great time. If you enlarge the photo, you'll see me as a pink blob doing some videoing on the right

The Great Blue Heron was the only thing I actually managed to sketch on location. Everything else was done from photos once we got home. I was too busy running around attempting to video those flying through the air with the greatest of ease.

The silver token has the saying, "See you later, alligator" on one side and the Gatorland logo on the other.

If you're after a slower pace and a glimpse of old Florida attractions, this is a fun place to visit. Unless you go zip-lining, it won't take you a full day to visit, but I think you'll be glad you did!

Final Project from Joanne Sharpe's class

Nothing says Spring to me quite the way tulips do and I have been loving all of the pretty flowers I see each time I step into the grocery store. They seem the perfect subject for a page in my sketchbook and I created a quick tutorial so you could join me!

The photo reference below is of some artificial tulips that I use to decorate with each spring:
Following general shapes, I drew individual flowers and leaves starting with the one closest to me and then adding the rest behind the last flower I drew until I had an odd number of blooms arranged on the page. If you follow the number order, you'll see where I started, what I drew first, second and so on:
I splashed paint using yellows, pinks, lavenders and coral for the blooms along with greens, yellows, blues, violets  and teal for the leaves. The stems have yellow and green:
Next, I used a piece of tracing paper to draw a simple outline around the outer-most edge of my tulips before carefully cut out around the shapes to create a mask:
Using a cardboard stencil, I then added the polka dots into the background. You'll note that the header, Happy Spring also shows up in this image—I forgot to take a photo!:
Using a cosmetic sponge, I dabbed paint from the palette to paint the dots. It is very important to use just enough water to get the paint to the sponge. The puddle of color should be mostly pigment. It will have a consistency of heavy cream. If you use too much water and the sponge gets too wet, the color will leak under the stencil and the edges will not be crisp and sharp:
You can either hold the tracing paper mask down or you can tape it down. Position the stencil and begin to dab color into the openings. It may take more than one application of paint to get to the level of color you want. Be careful not to let the sponge get over-saturated. If it becomes too wet, set it aside and grab another one.

Once everything is dry, go back and fix any edges that may not be to your liking and then add your header or text. Consider using a coordinating color like a darker green or pink rather than black.

Last go back and strengthen the outlines around the tulips to give them more energy:
Using broken lines as well as varying the line weight (thick vs. thin) gives the tulips a more dynamic feel than just the simple outline I started out with.

I hope you can join me at Keeton's down in Bradenton for the class on Saturday, April 25 and we'll paint tulips together!

We went to my nephew's last home game of his high school career last Friday night and I decided to attempt sketching the players...

Black gel pen in No Name Watercolor Journal 3.5 x 5.5 inches

Here are my observations (and remember, these are from a non-sports person):

Self Portrait of My Inner Critic Ink and Wash

It happens to all of us.

We get excited about a new adventure and out of no where, or so it seems, comes this voice to tell us how we're not good enough or smart enough.

It questions who we think we are to think that we could ever undertake such a feat, let alone be successful at it!

Self doubt creeps in and after a while that voice starts to say reasonable things like, "Why don't you wait until you know more, go back to school and get a degree, have more experience, let someone who is smarter than you handle it."

And we listen and we give up our adventure.

And so we stay stuck.

Not to mention frustrated.

Our inner critic has struck again.

Self doubt has killed more creative endeavors than failure ever will.

While the inner critic is simply doing its job, it gets a little overzealous sometimes. It reminds us of all the failures, mistakes, and embarrassments we have ever made in our lives.

If you're like me and my IC, then yours has plenty of ammo too.

And that's fine because that's my IC's job—to keep me safe by whatever means necessary and it has learned over time that I am not easily dissuaded from a course of action.

And it's taken a long time for me to learn how to work in tandem with my IC rather than fight with it or to just ignore it.

Most of the time, I've learned to listen when my IC starts up with its claims of imminent doom or complete mortification because on occasion, its right. My actions are about to lead me off the cliffs of stupidity.

But most of the time, my IC is just being its usual neurotic self and I go ahead with my adventure.

And gosh, what do you know? Everything turns out fine!

Inner Critics aren't the enemy unless they hold us and our endeavors hostage. Their primary tool is fear.

Learn to recognize it for what it is. It's fear that masquerades as reason, as logic, as common sense and when wielded by the ever present critic it is a killer of dreams, hopes, creative efforts and happiness.

Don't be a victim. Find neutral ground and then move forward.

Even should we fail, failure is seldom fatal.

Making Mistakes
Are you willing to fail in your art attempts?

Are you willing to make bad art* in order to learn to make better art with the hope of eventually making good, or even brilliant art?

*Definition of bad art - art that is filled with so-called mistakes or inaccuracies.

Most of us are scared to death someone is going to confront us for being frauds, for masquerading as an "ARTIST" (said with a French accent) when we know good and well we're not. Scary, huh?

And yet, I've never had it happen. Even when I'm making art that is less than stellar, I've only ever received neutral or nice comments.

The fear is persist and often paralyzing. It holds us hostage and we don't get any better because we're afraid to make mistakes.

And there's the irony...because making mistakes is how we learn to do better, to do differently. 

Draw during the performance, color and text added later 7 x 5.5 inch spread in no name watercolor journal

Drawing People
Artists want to draw people in their sketches, but their fear stops them. When they finally do add people and the figures "don't look right," the artist freaks out and vows to never, ever add people to a sketch again.

The next time they try, they've built their fear of people into a bigger fear in their minds and when they fail to meet their goals again, the fear increases. Eventually, the fear of drawing people grows until drawing people seems nearly impossible.

Sound familiar? Stop and consider two things…

Maybe, instead of trying to put figures into a sketch, you should consider drawing JUST people in a junk journal for a while until you get the hang of them. Second, make up your mind that you'll make mistakes, draw crooked lines, wobbly noses and too-small heads and that it's okay—you're learning. Be excited for the opportunity!

Learning To Draw People
So back to drawing people…there are three things I highly recommend you do when you want to learn or improve your people-drawing skills:

            1. Draw people you don't know. Seriously.
            2. Be prepared to make lots and lots and lots of mistakes.
            3. Make it fun!

1. If you start out trying to draw people you know, you're adding waaaaay more pressure than you need. Would it be wonderful to draw your BFF from your last camping trip? Absolutely, but if your BFF turns out looking like Godzilla drawn by a 4th grader, your BFF may be notifying the creativity police to revoke your license!**

**Just in case you didn't know, creative licenses are non-revokable!

If you don't know the person, then it no longer matters if it looks EXACTLY like them especially if they never see it. Yay! That drops the pressure. As long as it looks like a human body, you've scored a win!

Do you think those guys from the orchestra will ever see that page? It's doubtful, but if they do, I'm sure they'll understand the concept of practice, practice and more practice.

2…and 3. It's hard to separate points 2 and 3 because here's the bottom line—if it's not fun and I'm making a lot of mistakes, I'm gonna stop. Why torture myself that way even for the sake of learning? I figure you're probably the same way.

We learn more, we learn better and we learn faster when the learning is fun.

When I'm working on improving my skills in an area where I'm in need of significant improvement, I do my best to find a way to make it fun. In the very top sketch, I went to see the Sarasota Pops Orchestra perform the music of Billy Joel with my sister-in-law. I was fortunate enough to be sitting in the seventh row and there was enough light (most of the time) to see my sketchbook.

It was a bit wild—music flowing, people clapping and singing along, performers on stage dancing and moving around, lights flashing different colors—and it was kinda overwhelming, but I figured what the hey, this was a chance that would never come again.

At times, I had to stop drawing a musician until he came back to a similar pose I had originally begun on my page. Other times, I was singing along or clapping to the beat rather than drawing. I was having fun and I didn't know any of those people! And bonus, it was dark enough that no one but my SIL and the guy next to me knew what I was about.

Mall Lunch Crowd Drawn in Traveler's Notebook by Midori

On the mall sketches, I went to the food court at the large mall near me and picked the restaurant with the longest, slowest line, Chipotle's Mexican Grill. I positioned myself where I had a good view but not close enough to be noticeable.

And this is where I'm going to add Suggestion Number 4: Set clear goals!

Are you looking to sketch body/posture? Capture motion? Capture a likeness? Create a portrait? How much detail do you need? Are you focusing on clothing or draping or shape or texture or facial features or hair or little kids or women or men or teenagers or or or…

Know what you're going to practice BEFORE YOU START! By breaking it down to specific goals, you're more likely to feel successful about your attempts. If you're working on the bodies and their posture or movement, do you have the time to also focus on the facial features?  If you want to work on facial features, why are you drawing their whole bodies?

Back at the mall, I wanted to capture a general likeness with a focus on body shape and posture. As I observed my victims subjects, I made up stories in my head about where they worked or why they were at the mall. Some had badges on a lanyard. Obviously, they were on break for lunch, but where did they work, what type of work?

I worked in pencil and then went back and worked in pen on a couple before I decided it wasn't really necessary.


I then decided narrow my focus to just working on body types and to leave off the heads/facial details all together as I was spending way too much time trying to capture the details of their faces.

I found posture was hard to capture accurately as some folks lean or cock their hips and it became a challenge to recreate it on the page.

Something to practice, to observe well and to observe quickly. I often fell prey to drawing what I "thought" was there rather than what was really there. Hence, the guy's feet at bottom left look like the belong on an elf.

Practicing Anytime, Anywhere
We get caught up thinking we have to go somewhere special to draw, we need special tools, or a certain amount of free time to pursue our art goals to which I say, "Hog wash!"

That's excusing-making and procrastination talking. Sketch the guy on television, sketch your favorite comedian. Look at people in a magazine or online. The point is to keep at the goal until you develop the skills you want and need.

If you find yourself standing in line, waiting in the doctor's office, for the CPA or for your kids to get out of school, look around and see if there's anyone you can practice on.

When combine conscious thought, intention and practice, we have an unbeatable combination for learning. So what are you waiting for?! Start sketching!

The Bottom Line
If you truly want to draw people then draw people. Draw nothing but people. Make people your focus for however long it takes to begin to get comfortable with drawing them. Learn to observe. Then learn to observe quickly. After the skills of how to draw people have solidified into a decent skill base, go back to adding them into a sketch that provides them with an environment.
Have fun, play, experiment and keep filling the page!

But I won't be getting one any time soon. It seems that d-o-g has become the equivalent of a four-letter word in our household. The situation has become an absolute killjoy.

So instead of To help mitigate soon of my annoyance and aggravation about the situation, I decided that I would get a dog and it would be ALL mine without outside influence—or interference.

So I got an Imaginary Dog and I'd love for you to meet her!

Her name is Lovey. It was originally LuLu, but the term lovey was used to describe her and it just fit. I'd also considered Yip, but it just didn't work for her.

Lovey Ink and watercolor Canson 180º Artbook Sketchbook

Lovey is part Border Collie and who knows what else. She probably won't get very big and by way of some genetic malfunction, she is nearly blind. It's possible that she sees some shadows, but that's it. BTW, Lovey is a real dog, but she'll never by my dog. She was in a shelter a few hours away from us when I first discovered her.