One of the cool things about planning out a trip to Paris so far in advance is that I have plenty of time to start playing with my sketchbook NOW rather than just before time to go. The image above shows my layout plans for my new sketchbook cover with the finished item at the top right.

I knew early on that I would be making a sketchbook to take to Paris as I wanted to play around with a variety of page configurations and I LOVE square format sketchbooks. I also wanted control over my paper choice. Using Moulin du Roy 140 lb. CP paper, I have already torn down four signatures of four pages each. The pages all have different folds and some of are different size though the overall size of the sketchbook pages is 5.75 x 5.5 inches. The cover is 6.25 x 6 inches...not quite square, but close enough!

Flexibility
The reason I make the sketchbook cover SEPARATE from the signatures is because I can easily take the pages or signatures in and out of the book. If I don't want to carry the entire sketchbook, I can remove a section. If—heaven forbid—I were to lose my sketchbook, there's a good chance I would not lose everything.

The other reason I like this layout is because it allows me to pull individual pages in and out to work on rather than try and rustle with a whole book. Once the signatures are bound, this won't be possible, but until they are it makes working much easier. The elastic loops securely hold the pages in place. Also, because I've been adding a lot of "extra" items (maps, stickers, stamps, ephemera, etc.) If the sketchbook gets too bulky to handle easily, I can slip a section out of the book.

Once my pages are complete (after I return from Paris), it may be that I didn't use all the pages/signatures I expected to. I can use these books in a different sketchbook. I have the option of binding the completed signatures into a more permanent cover (which is my plan) or I can continue to use the sketchbook cover you see in the images.

I used this system way back in 2014 on my trip to Acadia National Park and it worked tremendously well. You can see the leather cover I made for that trip here and read about it as well.

Leather vs. Material
When I started to plan out my journal cover, I was going to use leather and even made a leather cover. However, there are some advantages of using material over leather:

• Pockets - It's pretty easy to sew a pocket onto a piece of material. Leather is a bit more challenging. The pocket allows me to carry a few pieces of ephemera, tracing paper, etc. and it's an excellent place to tuck items away until I can add glue them to the page. I only added one, but it would be fairly simple to add one to the front of the cover if you so chose. 
• Pen Loop - You can buy a clip that has a pen loop to use with a leather cover, but they're metal and they add weight to the sketchbook. With the fabric, I incorporated a piece of elastic into the seam. The weight is negligible and it is more secure.
• Speaking of Weight - Leather weighs substantially more than material and if I'm going to lug this sketchbook all over Paris along with my other art supplies and a cell phone and umbrella and so on, I want to stay as light as I possible can. By saving an ounce or two here and another over there, I'm saving my neck and shoulders a lot of stress and strain. 

How Did I Do It?
If you have basic sewing skills and a sewing machine, it's not hard to create a cover to your specifications. I read a lot of posts and watched a lot of videos on how to make a DIY fauxdori sketchbook cover, DIY Traveler's Notebook, and other combinations. There are a host of posts out there. Some of them do not require sewing.

Because I wanted a bit more structure to my sketchbook cover, I combined two ideas to make mine. You can see them here and here. I wanted a spine, but I wanted the soft flexibility of the DIY Traveler's Notebook cover.

The size, the number of signatures and so on are completely customizable so you can create a sketchbook that is uniquely your!

Are YOU Coming To Paris?!
Would you like to?! You know you want to! I am so looking forward to going to Paris. It's been a pleasure to start working on this project already. My sense of anticipation has already started to build as I learn and read and sketch. By the time I return home, I hope to have a sketchbook worthy of my experiences while I'm in the City of Light. I would LOVE to help you create a sketchbook that captures your love or travel and art into a sketchbook you'll cherish for years.

A small group of artists will be joining me and we'll be exploring Paris off the beaten path as well as some of the iconic sites. I will be providing spontaneous demos each day based on where we are and what we see. I will also be available to guide you and answer questions as you capture your memories and create a sketchbook like no other! I hope you'll come and join the fun! Come and check out all the details here and here.

My NOLA Live! Journal has been moved, shuffled, and piled, ignored, dropped, lost misplaced and then found rediscovered, but it still laid unfinished until this weekend.
I don't even want to tell you how many times I moved the darn thing rather than just going ahead and finishing!

It probably took that long because of the need to find the mat cutter, cut the board down, come up with an idea, paint it, unearth my binding machine in the very back, bottom corner under a stack of heavy boxes and finally do the binding and finish up the final touches on the cover.
Am I thrilled to have this done!?! YES! But talk about going from to Orlando from Tampa via Omaha?! Good grief! Since this is a Stillman & Birn sketchbook, I could have just as easily used with the original covers and glued a piece of watercolor paper onto the front and been done—months ago.
Still, I'm thrilled to have it done. The photos don't begin to do it justice as there are a lot of subtle color changes and details that are not visible. I deliberately left the title dateless as I've decided to put the second NOLA trip (November 2013) in the second half of this journal.

I still need to create a title page and a list of all the wonderful artists who joined me. Then, I think I'm done. Until November!

The cover was created using watercolor, acrylic ink a stamp, and a stencil. The title block is a separate piece of watercolor with hand lettering that's been glued down to the cover for added dimension.

© Lori Vliegen's Journal Making Class

I just came from visiting Lori Vliegen's blog, Elvie Studio, and she's going to have a Journal-MAKING class next month! I've seen one of Lori's journal's up close and they're beautiful. I would imagine she'll have all kinds of fun things to share and tips on how to get the journal you want.

P.S. She's also giving away a spot for free if you're interested!