Thursday, February 25, 2016

Painting Strawberries!!

Can you go wrong with strawberries...and shortcake and whipped cream? Or dipped in chocolate for some decadent yummy? Or just plain berries, fresh from the field?!

Strawberries are in season in Florida and our Strawberry Festival starts next Thursday so it's seems the perfect time to add some strawberry-awesomeness to our journal.  Berries are a favorite subject of mine because they're easy and because of all that delicious color!

We're going to be painting strawberries AND strawberry shortcake at Keeton's Office and Art Supplies in Bradenton.

Come and join the fun this Saturday, February 27th from 9 am to noon! Please contact Keeton's to register.

Thursday, February 18, 2016

When To Sketch...And When Not To

Alternate Title: Feeding The Fish
A fanciful interpretation of a Sheephead
Got a few minutes? Let me tell you about our fishing trip last Friday. Our family gave my father-in-law (FIL) a voucher for a fishing trip for his birthday back in September and you know how it goes, we assled (southern word) around and time got away from us.
White Egret looking for an early breakfast
Fast forward to the first of the year and my FIL was in a panic thinking he was going to lose the trip because the voucher was about to expire, so plans were made. And fell through because the weather is kinda iffy out on the water at this time of year with all weather fronts moving through. (Apologies to my Northern friends, I know this is nothing compared to what you're dealing with!)
Gulfport Marina
Finally, the date was set—February 12th and...the weather holds! It's kinda cool and there's a front scheduled to move in, but we're going. Now there is some kind of a law that says you have to go early if you're going to do anything outside (in Florida) and if you're with my FIL, you'll be there even earlier than early.

Unfortunately, the guy with the boat did not get the "early memo" and was not there early. This left us plenty of time to explore the marina. This took about 10 minutes. After that, we started bird watching...osprey, sparrows, egrets and a big blue heron (which I missed getting a photo of). It sounded a little like Jurassic Park with all the bird cries.
He was dissuade from going fishing with us
after being shooed away from the boat
Boat guy shows up, gets the boat in the water, gets bait and we're on our way.

The next three and half hours include watching the dolphin, catching fish (and throwing the little ones back), motor issues, being towed, more fishing and finally, coming back in. As they* say, "a bad** day fishing beats the best day in the office."
Engine trouble on the water. This is the tow
boat taking us back to shore.

*They as in expert fisherpeople.
**This was in no way a bad day!

Blue skies, sunshine, and biting fish—the recipe for a most excellent day on the water!
Keepers of the day
As for the title of this post, there are times to sketch and there are times not to. I found between the movement of the boat, the boat wakes, the cold and the general environment (wet), I was not inclined to attempt to sketch. even though I had my sketching stuff. The boat was a tight fit for five people with each of us constantly casting, reeling in fish, getting hung on the rocks below and baiting hooks.
The Fishin' Ferlitas!
Could it have been done? Yes. However, after weighing the odds of dropping my sketchbook (probably overboard, knowing me) and/or being in the way of the others, it didn't seem worth the attempt. I waited until I was home and the floor had quit moving before sitting down to sketch.

Up above you see my take on a colorful Sheephead rather than with its normal coloring. An excellent reminder of a super fun day with family doing something we all love. And we still have the fish fry to look forward to! Yum!!

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Don't forget—classes start soon at ImaginaryTrips.com! Come and join us in Norway!

If you don't have time for an interactive class, consider taking a class at The Imaginary Realm!

Wednesday, February 10, 2016

What Is Your Mindset To Creating Art?

An Imaginary Visit To Norway starts March 3rd!
Examining My Approach
Have you ever given any thought to what your "default" mindset as you get ready to create a piece of art?

I didn't when I first started attempted to sketch on location.  Prior to these "attempts," I had always been a studio painter.

One of two things happened each time I went out: I either came home with an empty page or I came home with a page that looked like it had been attacked by a toddler on a manic sugar high. It looked like I'd tried to cram everything I'd seen onto one page, and, well, that's because that's exactly what I was doing. 

Frustration ruled the day. 

I finally started to work out the process of what I was doing and where the breakdown was occurring.  

It took several more attempts (and spectacular fails) before I began to get an inkling as to where and what I was doing "wrong.*"

*It wasn't necessarily wrong so much as it wasn't the best approach for what I wanted to accomplish. Kinda like trying to peel a potato with a butter knife—it could be done, but it would be a slow, laborious process.

“The mindset I used when approaching sketching on location was remarkable similar to the one I used when I approached a full-sized painting in the studio.”

When I worked in the studio, I had control of the temperature, the lights, interruptions, my physical comforts (food, clothing type, etc.) and if I wanted, I could stop and come back later to pick up where I left off.

This allowed me the luxury of capturing every detail, every nuance of shadow, making sure my proportions were spot on and studying the colors leisurely as I made my mind up how to recreate something on paper.

When I approached working on location, I no longer had control of anything! The light changed, there were constant interruptions (bugs, people, rain, wind, not having my stuff organized, etc.). Sometimes I was too hot while I was too cold at other times. And usually, I had a very finite amount of time to capture what was in front of me. Argh!!

No wonder I was not getting the results I wanted.

After discovering my approach wasn't working, I started developing the 5 E's—Evaluate, Eliminate, Edit, Embellish and Exaggerate. But I still needed to work on my mindset.

Why was I sketching on location? What did I want to accomplish given the limitations of working on location? What would satisfy me as a productive, enjoyable outing?

With these questions in mind, I started to grasp that within the limitations imposed by working on location and my weak to nonexistent sketching skills, I was going to have to seriously curtail my expectations of what I could expect to create on the page. I knew, as my skills strengthened, I could hope to capture more on the page, but that was down the road.

I also realized that all those details (that I worship) were seldom necessary, that painting on location wasn't about the details. It was about the whole experience.

“When I went back and re-evaluated those pages from this newly developing approach, I realized that even the lousy, half-finished (as well as the truly awful) attempts were portals back to the day, where I was, what I was feeling, who I was with and the events of the day.

Huh.

So good OR bad, the sketch was a portal back to a moment in time. A moment that would otherwise have been lost if I didn't make the attempt to memorialize it in my sketchbook!

And that was one of my biggest eureka! moments that has helped me to move forward on my artistic journey.

By recognizing the need for a different mindset when I needed/wanted to work quickly and simply to create a portal back to that specific moment of time, I freed myself from being slave to expecting perfection, capturing every detail and feeling like a failure when I didn't recreate a page worthy of a spot on the gallery wall!

What's Your Mindset?
When you approach working in your sketchbook or sketching, whether you're on location or sitting at the kitchen table, what is your mindset? Are you looking to recreate in miniature the place or photo before you with every detail OR are you wanting to memorialize the moment with a likeness so that you can revisit at a later date?

If you're frustrated with your attempts, lack of progress or the end results, going through your process and approach to creating art can be very illuminating!

A few questions to ask yourself include:
Why am I creating? What is my intent for creating this [place, thing, person]?
Is it to remember the day/event/moment, to improve my skills or for another reason?
How important is it to me to get this "right" and why is it that important? (Watch out for fear of failure when answering this question!)
Am I considering the limitations in this situation (time invested, my current skill level, physical environment, etc.) or am I approaching this without taking those limitations into consideration?
What can I do differently that will increase my level of satisfaction with my art?

After answering these questions honestly, attempt creating art with your new found observations. (Please note that it took me several tries before my new approach began to really show up on the page.) I hope you'll let me know if it makes as big a difference to your approach as it did to mine!
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If you'd like to delve further into this process, consider joining me for a class over at ImaginaryTrips.com! We leave for Norway on March 3rd!