Today, there aren't any sketches to share or tutorials on art.

Instead, I'd like to make a special request. Something personal.

I've very recently received some devastating news from a friend who had been missing from the landscape of my life. While I had noted the absence, I did not reach out to them. Even when this lovely person had crossed my mind several times, I wasn't tuned into my intuition that said, "pay attention."

When I saw a post on FaceBook, I mistakenly thought all was well.

Intuition is easily and often overlooked.

We're all going a hundred miles an hour with family and jobs and other activities.

For these reasons, I'm going to ask that you look around your life and note any absences from your life of friends or family, near or far.

And then I'm going to ask you to reach out to them.

Make a call, send them an email, a message on FB or stop by their house.

All may be well.

It might not.

But knowing that you cared and reach out may make the burdens of living a little easier to bear.

And you won't be left with a pocketful of wishes of what might have been.

I've closed the comments on this post because I want you to reach out to someone you've not heard from in a while rather than me.

Please, for me and for my friend, in the name of friendship…reach out to someone.

NOLA Street Performer, An Imperfect Sketch

Mistakes.

They are a fact of life and yet, they continue to confound us all. Especially those of us who put ourselves out into the world in a visual way. Words, dance, singing, sculpture, poetry, painting, sketching, sports...you name it, and there is an element of fear that creeps in because we just might make a mistake.

It has taken me long years to learn to view mistakes as opportunities to learn. To NOT invest a lot of anger or aggravation in them. (And yeah, occasionally I still do.) Mistakes only become a big, honking deal when I turn them into a big, honking deal. Even more important, if I get so focused on the fact that I made a mistake rather than what I can learn from the mistake, I've compounded my mistake! Big time.

Mistakes are necessary, fundamental, and a requirement for learning. Resistance is futile. They're gonna happen.

Below are some thoughts I've collected over the years in my creative journey I kinda wish I'd known going in. Might have saved me some trouble. It certainly would have saved me some aggravation.

1. Mistakes, nor failure, are fatal. Okay, maybe if your a bomb defuser or a rocket scientist or a brain surgeon, but for the rest of us? Mistakes are annoying, aggravating, irritating, possibly demoralizing, certainly demotivating but not fatal. So go ahead, make some.

2. To become a better artist faster, lose your fear of making mistakes. How do you lose the fear? By doing. Not by thinking, reading, wishing, worrying, studying, analyzing or looking at other people's art on the internet. By doing. If you create more art, you will make more mistakes. Because you are making more mistakes, you'll learn more, faster, about what works, what doesn't, what you like and what you don't.

3. Mistakes are part of the process. It's just like when you learned to walk. You didn't climb out of the womb and onto the couch. You had to learn to roll over, sit up, scootch forward or backward, get your knees under you, how to crawl, how to pull up, stand up and stay balanced, how to move your foot forward, then the other one, how to turn loose and…how to fall down. Repeatedly. And get back up. Just. Like. Doing. Something. Creative.

4. No matter how good you get, you will make mistakes. It is inevitable. You're human. Just accept it and move on. Oh, and chances are good, it will be a rookie mistake that you know better than to do. Just saying.

5. How you respond to the mistake you've made is one of the most important choices you will make with regard to your art. Rather than dread the making of mistakes, treat it as a learning opportunity, as no big deal, as a part of the process. If you can't fix it, turn the page and holler out, "Next!" and begin again… OR…waste a lot of time moaning and groaning and grieving for that great piece of art you were creating. Staying upset and refraining from making art is fear dressed up in grown ups' clothing to make you think you're being wise to not waste time, materials or energy if you can't do it right. Bull hockey!

6. It's not a mistake or failure nor a waste of materials or time if you learned from it. Let me repeat that…if you've learned anything from putting a mark on the page, then you've gained something even if you deem the end result a mistake or failure. But don't call it a waste if you got anything out of it that will make you stronger or better the next time you put down a mark.

7. Before you decide a sketch or page in your journal is a complete failure, give it time. Often, when we are in the throes of creating and something doesn't turn out like the perfect picture in our mind's eye, we judge our results as lacking, as wrong, as a mistake. Turn the page and go on with another sketch. After a few days or weeks have passed, take another look at it. Many times, when that perfect image in our mind has faded, the work in front of us is often better than we thought.

Puffin Doodle I have no idea what happened with his legs!

8. Being afraid of making a mistake won't stop it from happening. How many of us have not put in a darker value or a background or added words to the page because we feared messing it up? I dare so most us. What's the price? A piece we know could be better if we were just brave enough to take that next step. If we do that enough times, we erode our self-confidence.

9. Sometimes we have to learn what NOT to do by doing it. Yeah, it sucks, but the bottom line is there is no teacher like experience. It's kinda like getting your fingers burnt after being told not to touch something hot. You don't forget it. Some lessons are like that and it's necessary to learn the hard way, but you learn. Don't let the fear of learning the hard way stop you. Keep creating.

10. Do not feed the fear [of making mistakes]. If you find yourself obsessing over making a mistake or messing up on a piece of art you really, really like, ask yourself what is the worst that can happen. You totally destroy the piece and get your artistic license revoked. Then ask yourself what's the best that can happen. You create a gorgeous piece of art and go on to win the most prestigious prize in the country and world acclaim. Now, decide where you want to put your energy and efforts. You've got at least a 50/50 chance of being right!

11. So you've totally bungled the page, now what? Go play. Seriously, all expectations are gone. You're ready to tear the page out of your book. This is the best possible opportunity to play and experiment with some new idea or technique. To do something fun or outrageous or different. What do you care if it works out at this point? You were going to tear the page out the book anyway!

12. Is it a mistake or is it an imperfection? How many times have you bought a garment that had a tag saying something about how the imperfections were part of the nature of the fabric? What about a piece of pottery that was prized for the imperfections? It's not just semantics. It's how you think of the matter that is important. Learn the difference.

13. Did you fail? Fail better the next time. Much as when you learned to walk, each time you got up and tried again, you did a little better. So it goes with art. Embrace the opportunity to learn and make a new, different mistake the next time so you can learn from that one, and the next, and so on.

Fear is often the end result of having made mistakes or failing. This type of fear can paralyze your efforts to be creative, stunt your growth, or at the very least, slow it down. This kind of fear often sounds rational, reasonable and very adult-like when it whispers in the back of your mind that you don't want to put pen or pencil to the page because you're just wasting time and materials. You might mess up. Again.

If you'd listened to that voice as a baby, you'd still be lying on your back waiting for someone to come along and roll you over!

Turn the fear into fuel and let it fire your efforts. In other words, do it anyway. Because really, we talking about a little bit of paper, some paint, a touch of ink or lead and some time you'd probably have wasted trolling the internet looking at someone else's art or reading about making mistakes.

After all, if you try and fail, you have gained an opportunity to learn.

If you fear and do not try, you've gained nothing but fear itself.

P.S. This post is a continuation from this one!

View From Hamburger Mary's 5.5 x 8.5 inches Ink and Watercolor Stillman & Birn Zeta

Just as a planned day sometimes takes an unexpected detour that turns out to be far more enjoyable than what was originally planned, so goes a journal page.

The beginning of the page. The red oval highlights the mistake I made right off the bat.

Movie tickets added to the page and a close up of the white "fix."

Sigh.

Momma said there would be days like this.

What she didn't say was that I should have known better, but I'd do it anyway.

Let me start at the beginning...

Woodswallows 8.5 x 5.5 inches Watercolor and Ink Stillman & Birns Zeta Sketchbook

I recently received an email from Carole M. of Snap Happy Birding Blog and she hinted she had an image she thought I'd like…

She was right! And I was thrilled when she gave my permission to use her photos as inspiration for my sketch. I chose to use them as inspiration and drew my own interpretation using several of Carole's photos so that my sketch is not a direct copy of any of her images.

Carole had the opportunity to snap some fun shots of these white-breasted woodswallows huddling together. You can learn more here as well as hear them.

As the day was overcast when Carole took the shot, the birds didn't have a lot of variation in the black/dark gray color of their feathers so I decided to use my artistic license and make them colorful.

If I didn't say anything, and you just glanced at the image above, you probably didn't notice the various colors in the feathers. Take a closer look below:

Notice the blues, reds, lavenders, and turquoise

Now, I could have used just black: 

Just a hint of color in the tail feathers

Sketching New Additions To The Studio… While Tired From Moving

If you read the prior post about 13 Things I Wish I'd Known When I Started Journaling and you kindly refer to number 12, you'll note that I mention every page will not be a winner.

When we're tired, stressed, sad, mad, distracted, worried or otherwise challenged, it's a bit much to think we're going to turn out pages we like (again, please note, I did NOT say pages that are perfect).

Does that mean you shouldn't sketch?

It means you absolutely should sketch. Quite often, when we sketch under these conditions, it becomes more about the process rather than the end result.

It also means you should manage your expectations.

When you know you're sketching under adverse conditions, set your expectations to match and then sketch away.

Do not mistake this approach for an excuse to sketch halfheartedly. Do your best even under these circumstances.

If it turns out not-so-good, you won't be surprised and you might just find yourself with a real, raw page that helped you process the emotion of the moment.

The sketch above was done after some intense moving and shuffling of furniture and all the shi...stuff piled around it.

I recently found myself to be the proud owner of two new-to-me oak printer cabinets. They used to store type and logo blocks in these cabinets. They're heavy, cumbersome beasts.

I'm thrilled to have all those fabulous drawers to stash supplies in. With any luck, I may just get organized! Oh, what a thrill that thought brings. (Seriously.)

However, I can't say I'm thrilled with the sketches above when I evaluated just the quality of the sketches and page. It's okay and it certainly hold a likeness of each cabinet. I'd like to think if I had not been so exhausted I wouldn't have smeared the ink and the page would have held more appeal.

Still…am I disappointed in the page? No. It wasn't about the end product so much as a record of the cabinets and the day.

Why not? Because it's a record of what as well as of the exhaustion. It's got grit.

Is it pretty? No, but then a lot of life isn't pretty. Instead, it's real.

It is more than a record of the cabinets, when we bought them and their sizes.

(It also gave me the opportunity to test drive an Eversharp nib seated in a Noodler's Flex fountain pen—more on this after I do a bit more testing.)

I haven't yet decided if I'll add color or not. It would go a long way towards making the page more appealing, but as is, it speaks to my exhaustion which is part of what I want to remember.

What's Your Approach?
Journaling can take many forms for each of us during our journeys. Sometimes, it's about the pretty page as near perfect as we can make it. Other times, it's about sketching because we're learning or bored or trying something different.

And then there are those sketches that come about under adverse conditions. As an example, I sketched in my MIL's hospital room because that was how I dealt with my fear and worry. We knew she wouldn't recover. Talk about stressed? Oh yeah.

I'd not trade those sketches for anything. They're not pretty. They do, however, convey to me what words cannot. It helped me to process the emotions of that time just as the sketch above allowed me to process my exhaustion…and my excitement to have these two cabinets.

Do you sketch under adverse conditions? How does the process change for you?

They say experience is the best teacher, but I think mistakes are a top contender for the best teacher spot, and maybe, when you get down to it, they're the same thing.

Still, it can help to know, to be warned, ahead of time about some of the things you're going to come up against when you start on this artistic journey known as Art Journaling.

The following items are the things that immediately bubbled up when I started thinking about what I've learned on my journey.

13 Things I Wish I'd Known When I Started Art Journaling

1. Begin. Today. Now.
All you really need to begin is a pen or pencil and a piece of paper. An open mind is very helpful as well as an eagerness to learn. Do not over think. Do not make this complicated. It's not.

What are you waiting for? Go! Get busy!

2. The more you sketch the more you'll learn, the faster you'll sketch, the less fearful you'll become and the result of this continued practice will be a much more enjoyable experience.
Bottom line—you have to learn the skills first and the only way to do that is to begin and to keep pushing through every so-called failure. Perhaps you're the rare individual who enjoys the learning process. Most of us don't. We want to be an expert the first time we make a mark on the page.

3. A blank page isn't something to fear.
Chances are good you have at least 25 more chances. These chances are known as pages. If you don't get it right on the first one, you still have 24 more chances.

Bengal tiger on the loose, a rabid raccoon, now those are something to fear!

4. Accept that you will make mistakes.
It's how we learn and usually, it's the lessons we make from mistakes that stick with us far longer than the lessons we learn from succeeding.

And the good news? Journaling mistakes are seldom fatal!

5. Don't let the fear of making mistakes paralyze you.
Everybody makes mistakes, even so called experts or pros. No matter how long you sketch, no matter how many journals you fill, no matter how good you get, there will be mistakes. Rather than fear them, embrace mistakes for the learning opportunities they are.

Don't sulk about making them either. It's not pretty.

6. It's okay to turn the page and holler out, "Next!" when the page has gone south.
It happens to all of us. There are gonna be days when every line goes wonky, every pigment turns to mud, perspective leaves the building and proportions just don't work. Finish the page anyway (you might just surprise yourself!) and then begin again. See number 4.

7. Make art journaling fun. 
If it's not fun, why would we continue doing it? Art journaling is suppose to be fun and if it's not, evaluate why it's not. Chances are good it will have something to do with unrealistic expectations. Hmmm, what could those be? See Number 11. Remember, we learn quicker when it's fun.

As my brother says, "If it ain't fun, we ain't doing it!"

8. Never, ever, Ever, EVER, NEVER compare your work to someone else's work!
This is a biggie. There are few things more demotivating than comparing your work to someone else's and to think your work coming up lacking. And no matter how long you sketch, if you look around long enough you will always be able to find someone else with work you like better than your own.

9. If you must compare, compare the sketch you created today with the one you did yesterday, last week or last month. 
Use comparison to see how much you've grown, how your skills have strengthened, and what still needs strengthening.

10. Everyone started at the same place—the beginning. 
No one got a free pass from learning the skills and techniques of how to sketch. No one came out of the womb with a pencil in one hand and paper in the other. So every time you're tempted to use the excuse, "I'll never be as good as so-and-so," sit yourself back down and start sketching again.

11. Sketching is an evolution of skills but seldom a revolution.
Yes, I know, you want to know how to do it TODAY and you want to do it PERFECTLY. Ain't gonna happen. This is another biggie—give yourself permission to make mistakes, learn, fail, and to not like every page. We create so-so sketches. Sometimes, they're down right awful (to us). It's okay, that's what the next page is for. And the one after that.

12. Not every page is gonna be "all that." They can't all be masterpieces.
Is every endeavor you undertake marvelously, brilliantly done? No? Mine either. Don't put this kind of pressure on yourself, it will kill the fun. See number 7. And if your inner critic opens his or her mouth, kindly tell them it's not their day to complain and next month's not looking good either.

It's okay to have an off day...or month. See number 6 and 11.

13. Challenge yourself…to sketch something you think is beyond your current skills.
Even if you think you can't, you may just surprise yourself. And it's how we learn, how we get better. And if you fail (gasp!), count it as a success anyway—because you had the courage to try.

This is in no way an exhaustive list so I'd like to know what you would tell yourself if you could travel back in time…please leave your thoughts in the comments and I'll add them to the list!

Baby Blue Heron Watercolor and lots and lots of ink Stillman and Birn Zeta Sketchbook 5.5 x 8.5 inches

My brother went down to the Venice Rookery over the weekend and came home with some fabulous shots. This one of the baby Blue Heron just captured my heart. I decided on the spur of the moment—did you know moment's had spurs?—to create a sketch out of this cute, little bugger.

I had originally planned to sketch the bird much bigger with a lot less nest showing. How I managed to wind up with a small bird and lots of nest showing beats me, but I did it.

Beginning with the bird, I sketch him out in pencil and then added general outlines of the nest without a lot of detail (my first miscalculation). Since the background is all suggested shapes, I didn't draw anything back there.

Next, I painted the bird. Since he was my COI (center of interest), I knew if I messed him up the rest of the sketch wouldn't matter.

With the main sections of the bird painted (details to be added last), I moved on to the background. It was easy to do by just mingling colors.

Then it was time to do the nest.

If I had drawn in even a partial bit of the nest, I think I would have realized the chore I had set for myself. But I didn't.

I was using a waterbrush and those do NOT have a fine tips and so don't do fine details easily. Choosing to save my sanity, I grabbed a traditional brush to tackle those finer details.

In short order, I realized my sanity was still in question because if I continued to sketch the nest with a brush, I would have HOURS invested in this page.

Not ideal and not what I was going for. It's a sketch for goodness sake!

Rather than lavish hours on a sketch, I went to the studio and gathered up markers and pens in colors that would harmonize with the colors in the image. Then I went to work.

Some of the tools I used in the creation of the page

On the right page, you can see a few of the tools I used. Pens, markers, and two brushes.

All told I have about two hours in this and I'm itching to go back in and make a few more "adjustments."

If I had continued to work in just paint, I'm guessing I'd still be working on it and you might have seen it tomorrow.

Editing "Perfect Images"
As you can see, the photo is a pretty darn good one and who am I to fool around with a great image?

The artist with a creative license!

I edited the photo to make a more compact sketch. I moved the baby to the edge of the nest and moved the support underneath him so it didn't look lopsided. I also simplified the nest details greatly and it's still very busy.

When I set out to sketch, I generally have a goal in mind of being quick, of capturing the essence of a place, thing, etc. However, I do occasionally get into something that can't be "created" as quickly as I'd like. At least, not by me.

That's when I change up my method of working. I'm not a big pen and ink artist. I like it, but it's rare for me to work this way.

Realizing I was going to have to make a choice of abandoning my goal of quick or change my method of creating, I opted for the latter.

Is there anything wrong with spending several hours on a sketch/page? No.

Why was it a problem? It's not, but because I wanted this to be a quick sketch and not a painting I had to make a choice.

The longer I work on something, the more detail I tend to put into something and the greater chance I have of overworking the piece and regretting the hours I invested. 

There is a constant decision process going on when we create. The more aware we become of our choices, the more freedom we have when we're in the flow. Realizing we have more than one way to create goes a long way towards helping us to tackle subject matter that we would otherwise avoid.

Do you vary your approach and/or the tools when you're sketching? How so?

I do! Big time. You may have also heard it referred to as Shiny New Object Syndrome—you're distracted from whatever you're doing every time something new, shiny, different, fun, challenging, fill in the blank, comes along...and you're gone in pursuit. 

Nearly Live Practice of Sketching Puffins Watercolor and Ink Stillman and Birn Zeta Bound Sketchbook 5.5 x 8.5 inches

I am planning a trip to Acadia National Park towards the end of this summer and I have always, always, Always, ALWAYS wanted to see puffins in the wild.

When I stumbled across a couple of puffin cams here and here, it seemed like a good idea to get in some practice. The cams are not live yet, but they have several videos of the highlights and it's just like sketching from real life.

Just as I started to get a pose down, the bird would move or fly away. Sometimes, the video would change to a completely different location.

Sigh.

There is no "one" bird on the page. Instead, I used an eye from one bird, a beak or wing from another until I had "most" of the creature showing on the page. I even tried sketching from memory with limited success.

When I couldn't finish a pose, I'd start on some of the different body parts and that's how I managed to come up with a puffin body that's less than an inch and peg-legged—the creature moved before I could even get his feet sketched!

The nerve of some birds. ; •)

When doing this type of sketching I always (attempt to) approach the page with the thought that it will be an adventure and I may or may not have a finished page that I like, let alone love. And that's okay because it's more about what I can learn about my subject matter, strengthening my observation skill as well as my hand and eye coordination.

I gotta tell you, it was amazing fun! And time FLEW by! It was like being there and with the help of technology, I was! Just amazing. Without disturbing or threatening the habitat of these wonderful "little friars," I was able to enjoy sketching them.

There are a number of different cams that spotlight the lives of ospreys, eagles and other birds as well as bears, dogs and all manner of beasties that I intend to take advantage of when I'm wondering what I'm going to sketch or when I don't feel like braving Florida's high humidity and temperatures in the middle of summer.

Getting back to the puffins…they live in the park in the summer months and their summer runs from April to August. They'll have "puffed" before I get there.

Dagnabit!

I missed them in Alaska too. Apparently, I'm going to have to plan a Puffin Tour at some point if I'm ever going to see the cute little rascals for myself. They live most of their lives on the open sea only coming back to land to breed.

Did you know puffin swim using their wings to propel them through the water much as they do when they fly? Their feet as used as rudders. How cool is that?!

Did I mention that I really want to see puffins in the wild?

What bird or animal do you want to see in the wild with your eyes?