Painted Thoughts Blog: travel

Prepping For Paris: Choosing A Travel Journal

A sampling of the sketchbooks I've made or used

Choosing a sketchbook is (or should be, in my opinion) as important as buying a pair of shoes you can wear all day long, every day you're on a trip. It will be your daily companion and there are few things worse than being stuck with a lousy companion made of crummy paper! It's worth it to make sure you will like your choice long before you leave.

Choosing a travel sketchbook should be based on our personal likes and dislikes as well as a few more considerations. You have the usual choices of journal size, cover type, binding, page orientation, paper finish, and number of pages. It is also helpful to consider the overall weight and size of the journal with regard to hauling said journal around with you, your work style (sitting down vs. standing up) and which medium you will be using the most on the trip.

By answering a few questions first, it's becomes a little easier to suss out what will work best.

Your Working Style

Let's answer some questions to get a better idea of what you like and how you like to work:

Do you like to write a lot in your travel journal? If you've art journaled/travel journaled before, you may have an idea of how much you like to write and draw. If not, do your write in a journal as a regular practice or when you go on vacations? If you do, this will effect the number of pages you'll want in your journal, the size of the journal and the type of paper you want. A smoother paper might be best if you mostly write and only draw a little.

How will you be traveling—by foot, in a car, etc.? Size is ever so important to consider when you're going to be on foot or hiking a lot. The journal needs to be of a size and weight that's easy to carry as well as to work in. If you're going to one location and venturing out from that place each day, this may not matter so much. But if you're hiking for the entire trip and you won't have a chance to set the book aside, consider the weight of the journal!

Do you simply want to sketch with little writing? If this is the case, there are any number of sketchbooks on the market. Choosing a paper finish based on your preferred medium (ink, marker, pencil, watercolor, etc.), page count and size will be your deciding points.

Are you a traditionalist or a rebel? There is no right answer to this one and the question is not meant to be a challenge! If you tend towards more traditional work, then a vertical format in a 5.5 x 8.5 inch format is about as traditional as you can go. If you're more of a rebel (or you get bored easily), you may want to try a square format or a long, skinny format.

Let me state very clearly: the time to find out you are NOT a rebel is BEFORE the trip! There are few things more frustrating than finding out you despise the format of your sketchbook when you're a long way from an art store and you've already started in the sketchbook you've learned to hate. See more below on testing out choices.

Do you like to work in more than one medium? This can effect the type of paper you want in your journal. Watercolor paper is very versatile in that it will accept a number of different mediums well. However, if having paper you can write on or use a pen on is most important, cold press watercolor paper may have more texture than you prefer. (I tend to choose my paper based on the medium I will use most when traveling. Since almost all of my work is ink and wash, I know I want a watercolor paper that will hold up to washes and still let me get a decent line on the page.)

Do you like to add ephemera (receipts, cards, etc.), photos, and found objects into your journal? These little added bits usually help to tell the tale in ways just art or photos alone could never do. If you add a lot of ephemera, it can really bulk up a journal so that it doesn't close well. If you lean towards this type of journaling, coil binding is an excellent option as you have more room to add in these fun elements and the book will have a better chance of lying flat when you're finished.

Do you work sitting down or standing up? If you are only comfortable sitting down at a table, this can effect your choices because when you're on a trip, there's not always a table handy. Hardcovers are a good option as they give you some support while you work in your lap or while standing up. If you can work standing up, how important is to have some kind of support? Again, a journal with hard covers may be what you need. If you choose a very small sketchbook (3 x 5 or 4 x 6 inch), a soft cover may be fine.

A variety of Stillman & Birn Sketchbooks

Making Choices
Keeping the answers above in mind, let's discuss and answer this next set of questions:

Binding Choices: Hard cover, soft cover, coptic stitched, perfect bound or spiral bound?

Hardcover watercolor journals are great in that they give you a support when you are sketching in your lap or standing up rather than at a table. It is easy to work across two pages to create a full "spread" and they're available in a variety of papers. More often than not, hardcover journals are perfect bound (see below). This means removing pages is nearly impossible and it's likely you'll have pages left over at the end of the trip.

Softcovers are way, way more flexible than a hardbound sketchbook and can easily slip into a back pocket (depending on size). You will find softcovers in both perfect binding and spiral binding, but mostly perfect binding. They can be folded back on themselves with ease. Some of the hardbound books can too but not all. These books tend to be much lighter than hardbound books. The trade-off is not having a lot of support. If you work standing up, this may be a challenge depending on the overall size of the journal. Again, size, orientation, and paper finishes run the gamut.

Perfect binding is the type of binding used with magazines and most hardcover books. Because the pages are bound in with glue and/or stitching and we're less tempted to remove "mistakes." The flip side of that is that unless you are a very prolific sketcher and or writer, you probably won't fill all of the pages in one trip. Also, if you add a lot of ephemera, you may have a very cumbersome journal on your hands that does not close well.

Coptic stitched journals come in a variety of paper finishes and sizes as well as page count. Most have hard covers and can be used as a support. These are usually available via book artists rather than through a commercial source, though you will occasionally find them. Again, there is a set number of pages that are not easily removed and while there is typically more play in this type of journal for adding bits of ephemera, it's not infinite.

Spiral bound journals easily fold over on themselves and usually have hard covers so there's support. They work well with added ephemera and pages can be more easily removed or added. With that said, their downside is working across the middle "gutter" of the page to do a full spread. It can be done, but it's not as cohesive as working in a bound book where there is not a gap between the pages.

Paper choices vary greatly and much of our choice will come down to our preferred style of journaling.

If you are a primarily a writer, then having a paper that is easy to write on will be key.

If you are primarily a sketcher (pen or pencil but without much color), it will be important to have a paper with a lot of tooth for pencil but smooth enough to allow for decent line quality if you want to add ink.

If you are a primarily a watercolor sketcher, then it is imperative that the sketchbook you choose can handle washes and paint regardless of paper finish (smooth, rough, etc.).

Another choice for a travel journal is to make your own. I often wind up making my own journal as I like to play around with page sizes and paper types. Depending on the paper I currently favor, I may or may not be able to find a sketchbook in the orientation or size I want. I talk about building my own for the Paris trip here and here.

Making your own sketchbook is a lot of fun, but takes a bigger investment in time. If you're new to sketching, I would recommend waiting on making your own until you've tested out some of the choices commercially available so that you know what you like as well as what you don't like!

Choosing The Sketchbook That's Right For YOU

Take a look at how you work, at what size you work best at, the type of work you do MOST often (writing vs. drawing vs. painting), the medium you use MOST (ink vs. pencil vs. watercolor vs. marker) and base your choice on these things.

Arches, Blick, Canson, Fabriano, Hand•Book, Moleskine, Pentalic, Strathmore, Stillman & Birn, and many more all have sketchbooks on the market and most of good, if not excellent, quality. It all comes down to choosing what will work best for you.

If forced to make a recommendation, I would ask you the questions above and attempt to suss out your level of experience and your preferred medium. Based on those answers, I'd probably recommend a Stillman & Birn, Strathmore or Arches sketchbook for you. It would be no larger than 5.5 x 8.5 or 7 x 7 inches and it would most likely be in a vertical format rather than landscape or horizontal.

If I don't have the time to make a sketchbook, Stillman & Birn Zeta series is my second best go-to sketchbook as it accepts watercolor and pen and ink equally well. I've even made my own sketchbook out of the Zeta paper (it's available in full sheets) because I like it so much. The Zeta paper is not for everyone—test it first. You may find you like the Beta Series better!

Variety of styles and covers

Here's What I Know

These last few notes are about what I've learned on the trips I've sketched and journaled on:

I have yet to fill a sketchbook while traveling. It's like going to a wonderful restaurant and ordering everything on the menu only to realize you cannot possibly eat it all. I always have pages left over. If I go to the same location more than once, I just make a new title page to indicate the next trip. If the sketchbook is spiral bound, I'll occasionally remove the pages if I can use them in a different sketchbook.
Do not, I repeat, DO NOT take a new-to-you sketchbook on a trip that you've never sketch or written in before. I've seen it happen and it seriously dampens our enthusiasm when we're fighting the paper because it won't accept watercolor or the ink bleeds or it's too rough to write on. ALWAYS test before you go.
In fact, if you want to use a new-to-you sketchbook, buy two. Start working in one today, while you're still at home, to make sure you're going to like it and to learn its limitations. If you like it enough, you can use the second one for the trip.
Size matters! If you generally work small, don't take a 7 x 10 inch sketchbook on a trip—you'll never get it filled. Conversely, if you regularly work on 7 x 10 inch pages, don't frustrate yourself by switching to a 3 x 5 inch sketchbook. You'll have to decide if you can be comfortable working in a smaller sized journal like a 7 x 7 inch or 5 x 8 inch, but don't hobble yourself by going too small unless you're looking for that specific challenge.
Weight matters! Just know that the bigger the book, the more it weighs. (Seems obvious, right? You'd be surprised.) If it has a leather cover or is hardbound, it weighs more. At the start of the trip, the journal will weigh a few ounces. By the end of the trip, I can guarantee you it will weigh close to 17 pounds! Trust me on this. It may even weigh twice that if you've been hiking the whole time!
There is NO perfect sketchbook...or at least, I have yet to find the perfect sketchbook and it's not for lack of trying! For me, two things are key...making sure the paper accepts my chosen medium (watercolor), and ease of use. I've never take a journal larger than 7 x 7 inches or 5.5 x 8.5 inches as I don't work large enough to make it worth the extra hassle of carrying a larger journal. I want something I can easily wrestle with while I'm holding onto my palette, paper towels and brush as it seems I'm seldom at a table when I create.
Last, but certainly not least, the time to experiment is at home, not on a trip. New papers, new paints, new pens, new inks, new ANYTHING should all be tested out multiple times long before you leave home. Your tried-and-true favorites should be tested (multiple) times in any new sketchbook you're considering taking for the trip. There's nothing wrong with experimentation and I highly recommend it, but with EVERYTHING that goes on when we're traveling, the last thing any of us want is to have to fight our journal to create.

Do you have an old favorite you go to time and again or are you more on the adventurous side and like to try something new?

4 Creative Thought(s)

, by Laure Ferlita

anticipation pages

Designing A Sketchbook Cover

Exploring Ideas

Building a sketchbook, or modifying one I've purchased, is part of the fun when I'm planning a trip like Paris 2018. (Wanna come to Paris, too? Click the link!) After all, why wait until the month before we leave to start playing with our art supplies? I'm ready to go now, but since that isn't possible, I can start preparing.

The system I used when I went to Acadia National Park was one of the most successful systems I've used for travel. (You can read about it here.) It involves creating a leather cover and signatures of the pages separately. The signatures are held in the leather cover via elastic bands like a Midori Traveler's Notebook. Once the trip and pages are complete, everything is bound into a permanent book with a nice cover if I choose or I can leave them in the leather cover.

Second Arrangement

I liked the system because I have a lot of flexibility to change the order of the pages and the ability to add in a page if I needed. It also saved a lot of wear and tear on what would be the final cover. One of the other BIG reasons I like doing it this way is a little scary to mention, but this is it—if I should lose my sketchbook or it became damaged, chances are good I would only lose the pages currently in the sketchbook because I won't carry all the completed sections with me each day I'm in exploring Paris.

In the images above, I have stamped out a variety of stamps on paper and then cut them out so I can arrange them in a bazillion ways on top of the paper that represents the overall size of my sketchbook. Until I find the combination and layout I want, I'll continue to push the pieces around.

Once I discover the winning combination for the leather cover, I will use permanent ink to stamp them onto the leather and I'll share that part of the process with you in case you're interested in building your own system.

Since the trip is still ten months out, I have plenty of time to explore these ideas and make the sketchbook. If I was boarding a plane next week, I'd be going in a completely different direction with either a book I've already made or altering the cover of a purchased sketchbook.

Do you prefer to make your own sketchbook or do you use one you've purchased?

5 Creative Thought(s)

, by Laure Ferlita

art tour

It's Time For Our Next BIG Adventure—Paris!!

Goodness, it has been a long time coming, but the day has finally arrived...for an Art Workshop in Paris, France! Many of you know the genesis for the ImaginaryTrips.com classes began in early 2009 when someone mentioned hosting me in the City of Light in conjunction with teaching. Nine years later, the dream will become a reality! I cannot tell you how super excited I am for this amazing opportunity to travel with you so we can explore and sketch and laugh and paint and share this experience of all that is French together!

Guided walks through several of the arrondissements will introduce us to the city, a visit to Musée d'Orsay will inspire our pages, and strolling through the Jardin des Tuileries will provide us with the chance to add some Autumn color to our pages. We can warm up with a cup of hot chocolate at Angelina's afterwords if it's chilly or even if it's not—yum!

We'll visit the second floor of the Eiffel Tower, tour the Paris Opera House, stroll along the Avenue des Champs-Élysées (we'll have to wear our red berets!), and then we'll cruise the river Seine for a different perspective on the city. There's even an optional side trip planned for a visit to Monet's home in Giverny! Can you feel the magic?! These are just a few of the fabulous adventures we'll share!

Throughout each day, I'll be providing impromptu, on-the-spot demos based on our location and your questions as well as one-on-one assistance, encouragement and feedback. I'll be with you every step of the trip! A workbook of art tips and techniques will be provided for you to reference during the trip and long after our time in Paris is over. Time will be built into our days to allow us to share our kits, work on our pages and get to know each other. Flexibility has also been built into our itinerary in case you want to do a little exploring on your own!

Since it's gonna be soooooooo hard to wait for October 2018 to roll around, I'll be sharing my "anticipation pages" as well as ideas, tips, equipment suggestions and much, much more long before the trip gets here! I hope this sounds like a dream come true for you as much as it does for me and you'll join me on this spectacular journey!

All of the information on the trip can be found here!

We'll be traveling with the Blue Walk Tour Company and they will be with us every step of the way. They've been doing "Art Walks" for a number of years and they understand the value of going slow to really see! I've been assured they won't think us too bizarre when we whip our sketchbooks at odd moments.

If you have questions, please don't hesitate to reach out to me or to the wonderful folks at the Blue Walk!

And remember, Paris Is Always A Good Idea!

P.S. And, yes, my bags are packed! But I'm sure they'll be repacked several times over before October gets here. ~ L

A Brand NEW Online Class Starting October 12th!

An Imaginary Visit To The American Southwest!
There is no doubt that the American Southwest has some of the most beautiful vistas in the world! Dramatic skies, incredible rock shapes (called hoodoos), gravity-defying arches, views-for-miles and lush, incredible colors! We'll be visiting the following in our four assignments:

Antelope Canyon
Arches National Park
Bryce Canyon National Park
Zion National Park

We'll spend time on how to use complementary colors, granulating pigments, capturing suggested textures and skipping lots of detail so we can create those grand vistas in our sketchbooks quickly!

The class will start on October 12th and will have four assignments, one for each park. I hope you can join me for this visit! There are three different class formats, one that is sure to work with your schedule and learning style. Click the link below for all the details. I hope to "see" you in October!

Click Here For Class Info!

Regardless of where, I hope to travel with you soon!

1 Creative Thought(s)

, by Laure Ferlita

#talesonrails2017

And That's A Wrap! (Travel Journaling)

If your follow me over on Instagram, you will probably want to skip this post as it is a wrap-up of the competition I entered over at @raileurope. Rail Europe is sponsoring a contest for two creative people to take a trip via rail over Germany and Switzerland. Their #talesonrail2017 closes today and the winners are to be announced in the next two weeks.

To begin the re-cap, my first entry was about a family trip to Alaska that began me on the journey of keeping a travel journal as I learned (the hard way) that photos just can't tell the whole tale!